Etat général : Réédition neuf Format : 33T 180-220 gr Etat pochette / disque : S / S Label : soufflecontinu Année : 2024 Numéro / Pays de pressage : FFL086 - France
REISSUE. Originally released as PALM 16 in 1976. After discovering the jazz of Herbie Hancock, McCoy Tyner, Miles Davis and John Coltrane, Chilian Manuel Villarroel was taken by the free jazz which was all the rage at the time in America and Europe, and this would inspire the first version of his Machi-Oul, project. This was a septet, with which the pianist would record, in 1971, the tremendous Terremoto (Souffle Continu FFL085). After this masterstroke Villarroel was invited to record with Perception (Perception & Friends) and with Baikida Carroll (Orange Fish Tears). While these were notable contributions, Villarroel was already looking into other combinations. In 1972 the pianist enlarged his formation to reach the size of a real big band: the Septet became the Machi-Oul Big Band. Three years later in January 1975, with producer Jef Gilson at the helm, fifteen musicians including those from the old Septet (Jef Sicard, François and Jean-Louis Méchali, Gérard Coppéré) worked on a rare form of jazz. From togetherness to dissonance, we danse to it “Bolerito” then shake it up on “Leyendas De Nahuelbuta”. As for the concluding serpent, it is a piece which is impossible to pin down: “Quetzalcoat” is as impressive as it is difficult to grasp. (SouffleContinu)
Contains 8 page booklet with rare and unpublished photos + 2 page insert Heavyweight 180 gr. LP
Tracklist A1 Bolerito A2 Leyendas De Nahuelbuta Part One B1 Leyendas De Nahuelbuta Part Two B2 Quetzalcoatl
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REISSUE. Originally released as PALM 16 in 1976.
After discovering the jazz of Herbie Hancock, McCoy Tyner, Miles Davis and John Coltrane, Chilian Manuel Villarroel was taken by the free jazz which was all the rage at the time in America and Europe, and this would inspire the first version of his Machi-Oul, project. This was a septet, with which the pianist would record, in 1971, the tremendous Terremoto (Souffle Continu FFL085). After this masterstroke Villarroel was invited to record with Perception (Perception & Friends) and with Baikida Carroll (Orange Fish Tears). While these were notable contributions, Villarroel was already looking into other combinations.
In 1972 the pianist enlarged his formation to reach the size of a real big band: the Septet became the Machi-Oul Big Band. Three years later in January 1975, with producer Jef Gilson at the helm, fifteen musicians including those from the old Septet (Jef Sicard, François and Jean-Louis Méchali, Gérard Coppéré) worked on a rare form of jazz. From togetherness to dissonance, we danse to it “Bolerito” then shake it up on “Leyendas De Nahuelbuta”. As for the concluding serpent, it is a piece which is impossible to pin down: “Quetzalcoat” is as impressive as it is difficult to grasp. (SouffleContinu)
Contains 8 page booklet with rare and unpublished photos + 2 page insert
Heavyweight 180 gr. LP
Tracklist
A1 Bolerito
A2 Leyendas De Nahuelbuta Part One
B1 Leyendas De Nahuelbuta Part Two
B2 Quetzalcoatl