Etat général : Réédition neuf Format : 33T 180-220 gr Etat pochette / disque : S / S Label : blue note ume Année : 2022 Numéro / Pays de pressage : 4535351 - Germany
Originally released in 1954 as BLP 1505. "Considered by many to be the finest jazz trombonist of all time, J.J. Johnson transferred the innovations of Charlie Parker and Dizzy Gillespie to his instrument, playing with such speed and deceptive ease that at one time some listeners assumed he was playing valve (rather than slide) trombone. Johnson toured with the territory bands of Clarence Love and Snookum Russell during 1941-1942, and then spent 1942-1945 with Benny Carter's big band. He made his recording debut with Carter (taking a solo on “Love for Sale” in 1943), and played at the first Jazz At The Philharmonic concert (1944). Johnson also had plenty of solo space during his stay with Count Basie's Orchestra (1945-1946). During 1946-1950, he played with all of the top bop musicians, including Charlie Parker (with whom he recorded in 1947), the Dizzy Gillespie big band, Illinois Jacquet (1947-1949), and the Miles Davis Birth of the Cool Nonet. His own recordings from the era included such sidemen as Bud Powell and a young Sonny Rollins. Johnson, who also recorded with the Metronome All-Stars, played with Oscar Pettiford (1951) and Miles Davis (1952). Between 1953-1955 Johnson led three recording dates for Blue Note that were first released as a series of 10″ LPs, and later compiled on the two-volume 12″ LPs The Eminent Jay Jay Johnson." (Blue Note) Audiophile REISSUE mastered from analog tapes on 180G vinyl.
Tracklist A1 Turnpike A2 Lover Man A3 Get Happy A4 Sketch 1 A5 Capri B1 Jay B2 Old Devil Moon B3 It's You Or No One B4 Too Marvelous For Words B5 Coffee Pot
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Originally released in 1954 as BLP 1505.
"Considered by many to be the finest jazz trombonist of all time, J.J. Johnson transferred the innovations of Charlie Parker and Dizzy Gillespie to his instrument, playing with such speed and deceptive ease that at one time some listeners assumed he was playing valve (rather than slide) trombone. Johnson toured with the territory bands of Clarence Love and Snookum Russell during 1941-1942, and then spent 1942-1945 with Benny Carter's big band. He made his recording debut with Carter (taking a solo on “Love for Sale” in 1943), and played at the first Jazz At The Philharmonic concert (1944). Johnson also had plenty of solo space during his stay with Count Basie's Orchestra (1945-1946). During 1946-1950, he played with all of the top bop musicians, including Charlie Parker (with whom he recorded in 1947), the Dizzy Gillespie big band, Illinois Jacquet (1947-1949), and the Miles Davis Birth of the Cool Nonet. His own recordings from the era included such sidemen as Bud Powell and a young Sonny Rollins. Johnson, who also recorded with the Metronome All-Stars, played with Oscar Pettiford (1951) and Miles Davis (1952). Between 1953-1955 Johnson led three recording dates for Blue Note that were first released as a series of 10″ LPs, and later compiled on the two-volume 12″ LPs The Eminent Jay Jay Johnson." (Blue Note)
Audiophile REISSUE mastered from analog tapes on 180G vinyl.
Tracklist
A1 Turnpike
A2 Lover Man
A3 Get Happy
A4 Sketch 1
A5 Capri
B1 Jay
B2 Old Devil Moon
B3 It's You Or No One
B4 Too Marvelous For Words
B5 Coffee Pot